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Veho Nex
04-18-2008, 03:32
There’s always going to be something creepy about living in a house others have died in. Even if you don’t believe in the paranormal, there’s something about the whole idea that’s usually more than enough to make at least a few hairs on the back of your next stand up.
It was almost enough to make me reconsider purchasing the old house, but the fact the price had been slashed again and again left we with an offer simply too good to refuse. I disregarded my fear as the result of too many scary books and re-runs of ‘The Shining’ on late night TV. Now however, I recognize my denial as my first mistake. Fear is described as a survival mechanism for a reason; I know now that ignoring it is one of the worst mistakes a person can make, regardless of how irrational the fear may seem.
The house was big. Not exactly a mansion, but a good two stories (although it looked much smaller from the outside. About a third of the first story was below ground. I’m still not entirely sure why, perhaps if just formed a stronger foundation, or was necessary to create such a large cellar. Regardless, this is irrelevant). The house was built from light cobblestone; It was definitely an older house. The roof was made of dark blue tile, and several vines had begun to wind their way up the front of the establishment. They might have just been over grown weeds, but it added to the building a kind of charm.
A black iron fence had been erected around the yard; that would have to go. I should probably explain. The iron fence had been connected to one of the houses two deaths. About 17 months ago, one of the elderly residents had thrown himself from the second story window in the right wing, where the fence runs noticeably closer alongside the house. That in itself had crossed me as strange when I’d first heard it.

As I mentioned earlier, the house isn’t as tall as a normal two story house. It doesn’t seem like the kind of height someone would throw themselves from if they wanted to end their life. Regardless of whether the height would or wouldn’t have killed him, the old man had become impaled on the black iron fence, and that had done the trick. Either the old man was aiming for the fence, or he had faith that the relatively short drop would be enough for his age worn bones. The former seemed extremely gruesome for a suicide, while the later seemed foolish.
This first death had set into motion a series of events which directly lead to the next. The old man’s wife, according to the police report, returned home from some simple grocery shopping, found her husband impaled and tried to pull him down. After failing (and bloodying her hands in the process) she retreated inside where, in her grief, she had taken her own life. She had gone into the walk in pantry, and hung herself with a length of super strength fishing line. The scene had been gruesome; the blood of her husband had been smeared on the walls as she flailed and suffocated; the jump from one of the shelves having failed to break her neck and make it quick. Furthermore, the lady had torn at the wire with her fingers as she flailed, tearing up her hands and neck as the wire failed to come loose.
Still. A bargain is a bargain. I didn’t regret it in the slightest until my third night sleeping there.

At about 3AM I awoke. Something had whispered to me. There was no doubt in my head; this wasn’t a trick of the mind. Something had whispered to me in a rasp, tortured whimper, and it had been enough to awake me instantly without the usual drowsiness. I would say the whisper chilled my spine, but that would do how I felt no justice. I was petrified. The tortured whimper had sounded elderly, and instantaneously it bought to mind images of the old man who used to inhabit the house. After a moment I began to wonder where those images had come from; I’d never seen any photos of the deaths, nor had I any desire to. Then I realized I must have dreamed them. My mind had thrown together a spooky concoction of all the descriptive language I was offered by the salesman. Regardless of whether the images were real or not; the whisper was. With its message fresh in my mind, and ringing in my ears, I began to head upstairs to the attic. I don’t know what compelled me to do so at that exact time of night, but I had to. The voice needed me. It had said so.

‘Please. Help me. He’s coming back.’
I studied the attic from its entrance at the top of the stairs. So this was the room in which the first elderly resident had taken his life; the hair on the back of my neck danced in what seemed like a freak cold breeze. What was I even doing here; this was crazy? But I had heard that whisper. There was something here I had to see, someone I had to help. My concentration was broken by a noticeable slam downstairs. Instinctively I threw myself behind some abandoned furniture from the previous tenants; an old couch caked in dust. I could hear heavy footsteps, pounding away at the floorboards. Someone was moving with speed, and they were headed up the stairs. I reached out behind me for anything to make me feel less vulnerable. I settled for an old copper bed lamp. Not exactly a gun, but it would have to do. I braced myself, back to the couch and tried to control my breathing. I peered around the corner. An old man had reached the top of the staircase, he was flustered and sweat beaded down his temple. I was about to try and jump the elderly intruder. He seemed old enough to be over powered without much risk, despite his valiant effort at the scaling stairs. Something stopped me, however. That voice; a whimper, an elderly woman. Crying.
‘No. You need to see. You need to see what happened. You need to know. Oh god, he’s coming back.

I had entirely taken my focus away from the old man, those tortured words still haunt me to this day. I couldn’t describe them. The despair in her voice, like she already knew she was dead. My trance was broken by a cry of despair from the old man. He had seen something at the bottom of the staircase. Only now I noticed his shirt was ripped across the front, he may even have been bleeding.
Oh god, I realized. He’s running from something.
The old man backed further way from the stairs, his back facing the large window from which I’d been told one of the previous tenants had leapt from. Suddenly I knew how it was all going to unfold. Nothing I could do here was going to make a difference, it had all already happened. The most I could do was watch. Learn. I needed to see what really happened.
Another figure emerged from the staircase; clad in a heavy raincoat, bright yellow with a shiny plastic finish. Wearing gumboots, and with his face covered by the raincoats hood. Only now did I realize it was raining outside. The old man’s eyes widened in terror as he saw the intimidating figure approach. The new intruder didn’t hold any noticeable weapon, but I noticed red handprints smeared across the front of his raincoat, confirming my previous assumption that the old man had been wounded. The old man began to grovel.
‘No, please, who are you? What are you doing here? Please, just go, why would you do this!?’

The figure in the raincoat kept advancing, and the old man realized there was no reasoning with him. As a last resort, he turned to face the window and charged forward as fast as he could. The window shattered and the old man when flying. I didn’t bother checking on him. I knew of this story had ended. Or at least this chapter. After walking up to the shattered window, the raincoat killer, as I so creatively dubbed him, seemed to fade out of existence. The window appeared to be un broken, and there was no sign that anyone but myself had set foot upstairs. I stood in silence for a moment; contemplating what I’d seen, as well as my next course of action. The only logical step, if logic still had a part to play in all of this, was to check the pantry. I began to descend to stairs and froze stiff. Down the bottom of the stairs was the figure in the raincoat, staring at me.
My heart was racing a thousand beats a minutes. I braced for what seemed like the inevitable; for the intruder to throw himself up the stairs in pursuit of me. But he didn’t. He slowly looked away from me and began advancing towards the kitchen. It was then I realized it must be some kind of illusion, just as before. I was being shown something. It seemed I no longer had a choice in the matter; slowly I followed him into the kitchen. I could hear crying again. Was it? Yes. Definitely. Whoever was crying was definitely the voice I had heard earlier.

It was coming from the pantry. The next page of the story unfolded in my brain. The old lady hadn’t killed herself in the pantry; she was hiding. She heard her husband murdered and cowered for her life. A chilling scream pierced the air as the pantry door was opened by the raincoat clad killer. I noticed a length of fishing wire in his right hand. I turned away. I didn’t have to see what was happening to know how it was all unfolding.
The murderer had chased the old man upstairs. He had made a leap of faith to try and save his life, and had impaled himself on the iron gate outside. Hearing the commotion, his wife had hid in the pantry, where after hearing her whimpering, the killer had turned his attention. He had strung her up with the fishing line. She had fought back, smearing her handprints on the walls, and trying in vain to pull the wire from her neck. There were no suicides here at all. They were all brutal murders.
I turned back in time to see the pantry door closing, and the raincoat man fade from existence. I had no idea what to do now. I felt sick in my stomach, I thought I was going to lose my dinner. I did. I stood retching in the corner of the kitchen, when I started to hear a laugh. It was coming from the pantry. Someone was laughing at me from the pantry. I advanced slowly, and opened the door. The old lady was still in there, hung from the fishing line; but for some reason, smiling. Again, she started a hearty chuckle, which got louder and louder. It seemed almost too deep for her. I was about to reach for a kitchen knife that sat on the bench beside me, but stopped. This was another vision. There was something I had to see. I swallowed my fear and spoke up to the lady.
‘What is it? What do you want me to see? Do you have a vision for me?’.
The old lady laughed again. Her reply chilled me to the bone.
‘No. No more visions. I warned you he was coming back.’

Veho Nex
04-18-2008, 03:50
If you ever find dargaia's nectar, you'll probably be one of the ones who have been looking for it all their lives, and thus won't need any instructions on what to do with it.

Just the same, it's pretty simple, at least to start with. Make sure your affairs are in order (incase you have a bad reaction), and then? Bottoms up.

The coming months are the least pleasant part. You'll find yourself unable to keep food down weeks before you stop needing it. Same with sleep. The color of your blood will be off, making your viens stand out. Expect a few ingrown body parts; little things, just fingers and ears and teeth, usually pressing up against the skin. Make sure you're caught up on your booster shots because you're never going in for a checkup again. Or wearing anything more revealing than a trenchcoat in public, most likely.

Eventually, a little cut on your belly will start 'unhealing', becoming a puss-filled wound in a few days. Over the coming week, Three things will emerge from this.

The first object resembles a greasy black beachnut with maybe a tooth or two growing from it. When you're dead someone will eventually find it and use it to make a new batch of dargaia's nectar. Hide it well, make things fun for future generations.

The second object basically looks like a softball-sized cluster of veins, many of them broken and leaking oily black stuff, all wrapped around something. Then it'll squirm and you'll notice the twisted little skinless fetus in the middle. It will only survive for about twenty seconds. Burn the remains.

The third object will.. well, let's just call it "object 3". It's easier that way.

You can plant it anywhere you want. I advise someplace where you don't mind spending all your time and no one else will go. Your back yard or under your cellar works if you don't have any roomates; as long as there's fertile soil. Dig at least five feet down. It won't want to be buried, but just keep piling dirt onto it (if you can still hear it when you're finished you didn't go deep enough).

Its veins (or roots, I guess) will eventually spread in all direction about a foot and a half for every year of your life. Grass and weeds will grow stiff and bony, or black and oily, or take on the color and texture of a spider bite, or rice paper. Wood will be infected too; you'll hear the arteries in your walls pulsing on quiet nights. The ground will rot with dead insect and animal life. Don't mow your lawn; it bleeds like hell.

This is your sanctuary.

No matter what threats or injuries beset you outside, here you will be safe and healthy. Well, what passes for 'healthy' for you now. And if you really hate someone, bring them here. Trick them into coming. They'll get infected, one way or another; a lungfull of spore, a thornprick, a bit of residue on their hand. They will blood-vomit and the blood will have tiny centipedes in it. They'll shit out their own spinal fluids. Their eyes will milk over and hatch; little spines and brambles will grow from the sockets. They'll survive for months or years, doctors will be baffled, it will be completely fucking great.

That's all for starters. You'll learn more as you go. Much more. But if I told you everything now you might not do it.

Whatever you do, just guard it with your life, your very soul. If you think you're in danger of loosing it, dig it up, kill it with a silver needle, let someone else make a new one some day. You'll feel as if you've pierced your own heart, but it's better than letting it fall into the wrong hands.

Because you're a Holder now.

And you'd better not let them come together.





Seems like it fits with the one right above

In any city, in any country, go to any mental institution or halfway
house in you can get yourself to. When you reach the front desk, ask
to visit someone who calls themselves "The Holder of the End". Should
a look of child-like fear come over the workers face, you will then
be taken to a cell in the building. It will be in a deep hidden
section of the building. All you will hear is the sound of someone
talking to themselves echo the halls. It is in a language that you
will not understand, but your very soul will feel unspeakable fear.

Should the talking stop at any time, STOP and QUICKLY say aloud "I'm
just passing through, I wish to talk." If you still hear silence,
flee. Leave, do not stop for anything, do not go home, don't stay at
an inn, just keep moving, sleep where your body drops. You will know
in the morning if you've escaped.

If the voice in the hall comes back after you utter those words
continue on. Upon reaching the cell all you will see is a windowless
room with a person in the corner, speaking an unknown language, and
cradling something. The person will only respond to one question.
"What happens when they all come together?"

The person will then stare into your eyes and answer your question
in horrifying detail. Many go mad in that very cell, some disappear
soon after the meeting, a few end their lives. But most do the worst
thing, and look upon the object in the person's hands. You will want
to as well. Be warned that if you do, your death will be one of
cruelty and unrelenting horror.

Your death will be in that room, by that person's hands.

That object is 1 of 2538. They must never come together. Never.

Veho Nex
04-18-2008, 04:07
Beuchamps paintings:


If you go into this one tiny, dingy one-story bar in Paris, and the right bartender is behind the counter that night, you might be able to see a very exclusive gallery show of the lost works of one Henri Beauchamp. But, to get in, you have to prove you're a devotee of the artist to get in.

You'll be asked, in clear and perfect English, "What would like to partake of this glorious night?". Answer absinthe, no matter what. Any other drink, from whiskey to water, will kill you as you sleep.

The next question will regard the type, and you MUST answer one of two things: "The stuff that Man himself could not bear to take," or, "The good stuff. The best stuff." If you ask for any other absinthe, in any other way, you will be plagued by nightmares for 13 days. Each night's dream will be more horrible than the last, until, upon the thirteenth dream, your nightmare will follow you, every moment of your waking and sleeping life.

Don't try and cheat the barkeep: the door locked behind you.
You have to drink what he gives you, doom or not.
That such a powerful man granted you audience should be enough.
Besides, I've heard that the dying complimented his drinks in their death throes.

If you make it that far before sealing your fate, the bartender will say, "Be sure you handle this with care; this is the finest I have." From here, you may do one of two things: Say, word for word, "I overestimated my fortitude, and I bid you good eve.". If the barkeep nods, you may leave the door you entered, unharmed and with nothing gained and nothing lost (except the time spent inside).

Or you can go on.

You will be given a glass with a seven-sided rim, with twist ever so delicately around the basin until forming a sleek and simple handle. You will also recieve a very, very, very special absinthe spoon, in the shape of a key; the holes at the key's top serve as the draining point for the alcohol to pour over the sugar cube. And, of course, an unmarked bottle, stripped long ago of its label, scraps of paper sticking to its sides, covered in the rot of the decades past.

The spoon is completely flat, but has two distinct sides: one with a groove along the shaft of the key, and one without. Turn the shaft down, so its groove will be face down. If you attempt this face up, your absinthe will taste foul, your nose will burn, and youe eyes will shrivel in their sockets with unspeakable horrors nt of this world.

Try not to do that.

There's no danger by this point... consider it a safe point. If you didn't finish the absinthe, you don't have to, but you might need the alcohol. Either way, take the spoon and put it in the keyhole of the geen-lit portal's doorknob. It will fit perfectly, and reach the end of the keyhole with a resounding click.

Inside is a small elevator, with the most beautiful woman any mortal eyes can imagine, bathed in the green glow in just such an angle that the light refracts beyond her into the shape of wings.

The Green Fairy herself will ask you, "Going up?", and considering all the trouble you went through, it would only make sense to say yes.

Now, you have one more hurdle to clear. She will ask you, as you cross the line from the bar to the compartment, "How would you compare Beauchamp's surrealism to that of, say, Rene Magritte?" For your reply, you must say, "I've come to see more than art tonight."

If you don't, the green floodlight will blow out, the doors will slam shut, and the elevator will plummet through a seemingly infinite blackness before a red light grows brighter as the elevator nears the very depths of Hell.

Now, if your elevator begins to go up, the green light will also fade, but in its place will be the cool glow of the moon. But, before you even recognize it, the elevator will reach the top of its... well, let's call it a shaft to not get too intricate.

Now, I'm not as sure about this as the rest, but I've heard that, if the Green Fairy kisses you on the cheek as she leaves the elevator, you will always be blessed with a creative inspiration: a permanent, ever-changing muse. You can't ask her, you can't kiss her; she has to do it of her own volition. If not... well, nothing, but no reason to do it anyway and anger the woman who is responsible for keeping the Beauchamp paintings safe for so many years.

You will enter, from the elevator, a turn-of-the-century parlor, with a large poster of Henri Beauchamp on the left side of the opposite wall; on the right is a door.

Taking the time to read the poster is a fairly good idea, as it explains the very significance of Mr. Beauchamp. You see, he was a struggling surrealist in the 1920s, always making art to try and be free of all premeditation, and managed to do so. But, after one night in a tiny, dingy one-story bar in Paris, he began to paint... patterns.

First it was geometric patterns. Then complete fractals. Then images that would be in the newspaper the next day. The next week. Then from fity years ago. 100 in the future, 200 in the past...

Then, on his last night of life, he kidnapped three young girls from theit night, murdered them, and painted his finest masterpieces' reds and yellows with the blood and bile of virgins.

He committed suicide immediately after painting exactly 13 of these.

These are behind the door.

The first six, from the left, show, from left to right: the genesis of the universe, the only true visage of God as viewable to the eyes of man, the true image of Jesus Christ, the sprawling clouds of Heaven, every Pope from the first to faces not yet recognizable, and a portrait of Jesus' appearance in his Second Coming.

The other six, on the right, show, from right to left: the cataclysmic of the universe, the only true visage of Satan as viewable to the eyes of man, the true image of Judas, the sprawling flames of Hell, every human-embodied demon from the first to faces not yet recognizable, and a portrait of the Antichrist in his Second Coming.

Now, six and six make twelve. But what of the thirteenth?

It's turned around on its wall pin, the image facing the wall. The space around it is roped up at a very wide diameter, and under the flipped image is a sign, in three languages. The top is in the scriptures of the seraphim, the bottom in the runs of the highest demonic orders, and in the middle, in Roman letters.

DO

NOT

TOUCH

Now, like the kiss, I can't say this part with as much certainty, but all the same... I heard that, somehow, as he died, Beauchamp flayed his skin, his organs, his very soul, into some sort of collage. How he took his dead body and created such a horrific masterpiece, I could never say, nor would I ever dare to.

So... if you make it, maybe you flip the canvas over and tell me sometime? You can tell me about over a drink.

Just so you guys know, I don't write these. I wish I had the skill to cause you would definitely see my works in the spring writing contest. As to the one above I have never seen the end to it so I'm not sure how it ends.


Gjoberdik bell's:


In Gjoberdik, a small fisherman's village in the country of Bulgaria, on the dawn of January the first everyone closes their curtains and hold their breath for half a minute. Hours after the craze of midnight's celebrations, children look questioning at their worried parents, but can not help to shiver in the embrace of their shaking parents.

One can hear the sound of bells being struck exactly 25 times last year, in this short timespan. The nearest church however, is over 32 miles away. You will find no one out on the streets in these faithful 30 seconds, and even the birds will stop whistling.

Some have gone out of their houses, roaring boldly in disbelief of this century old tradition. On the first sunset of this year, two people gambled their fate in the very first rays of sunlight.

The next dawn, the bells will be struck 27 times.

rajpoot
04-18-2008, 04:39
I liked the first one best! Nice and shivery.
Btw, when I first opened it, I thought it was about putting real life creepy incidents.

Veho Nex
04-18-2008, 04:49
You can do that too