As an avid Second World War enthusiast, I am obliged to see every film I can involving the subject – the good, the bad, and even the horribly, terribly ugly (Miracle at St. Anna, anyone?).
And so, as Tom… err.. Clause would say, action was inevitable, and I drug myself out of bed to see Valkyrie Christmas day.
… and it was entirely satisfactory.
Would it have been better if everyone was speaking German? Sure. Would it have been better if everyone had German sounding accents? Well yea. Should they at least have all had the same accents? Uh huh. However, it really didn’t bother me too much, and there was enough German-ness, swastikas, etc. in the movie to ensure that no one is confused as to what nationality is being portrayed. Singer’s intention was to make this movie mainstream, and as much as I loved Downfall, subtitles kill a movie’s broad appeal. Lazy Americans…..
Anyway… the acting. It was wholly respectable. Most of the supporting cast was comprised of British actors I’m not particularly familiar with, but they did a great job – very convincing. Also, expect to see a familiar face or two from Downfall, which is always nice. Hitler and his boys were all cast realistically, although none of them had much of a speaking role. I had some quibbles with how they were portrayed, especially Hitler’s apparent disinterest in the war, but Hollywood will be Hollywood.
I cannot believe I am actually saying this, but I am starting to feel a little bit sorry for Tommy. It seems as though the Hollywood establishment has turned against him due to his being bat shit crazy and all, regardless of his acting abilities. In Valkyrie, Cruise delivers a performance akin to those in his best movies, which is to say not Oscar-worthy, but completely solid. For those two hours, I had no problem separating all the negative publicity surrounding the man from his portrayal of Stauffenberg, which is a feat in itself. Despite this, Valkyrie will not be his comeback vehicle. Ah, the perils of being a supreme alien overlord… he’ll survive.
Now, to the story. I think Singer made the classic mistake most directors make when taking on these period pieces – he bit off more than he could chew. This leads to long movies which oddly seem too compacted, lacking character development and back story. There is a reason this story was made into a miniseries in Germany instead of a movie. Valkyrie is no different. However, within these confines, Singer made the best of it.
From the ($60 million) ad blitz, I was worried he would make Tommy into a super-anti-Nazi Nazi, running down Hitler in a panzer. Instead, he remained well within the realm of reality. Those lured into the theatre by the ads promising action or thrills will be wholly disappointed. It is a drama that attempts to be true to history, and if you go into it with that in mind, you shouldn’t be disappointed.
I’m not sure trying to turn this story into a suspense thriller was the best move, or even Singer’s original intention, but I have to give him props for the effort. Despite going into the movie fully knowing what the outcome will be, his direction and edits made for some fairly suspenseful moments.
I went into Valkyrie expecting to hate it from everything I had heard. Maybe Hollywood has unfairly turned on Tom Cruse, or maybe my expectations had just been sufficiently lowered, but I really have to say I was pleasantly surprised. As someone who does a lot of reading on the subject, I learned a long time ago that stringent historical accuracy has to be set aside in order to enjoy Hollywood offerings. Such an attitude allowed me to fully enjoy Saving Private Ryan despite some rather fundamental mistakes made in the portrayal of the German forces in that movie. In the same way, I can say that Valkyrie is a solid, if mainstream, Hollywood offering. If you go into it with the right mindset, it can be a thoroughly enjoyable experience -with only one cringe-worthy moment. (You'll know it when you see it...)
Valkyrie: B. Fairly well written, fairly well directed, fairly well acted, and entirely forgettable.
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