What the heck is wrong with Germany? Why is Uwe Boll allowed to continue ruining perfectly good celluloid?
For those who don't know, here's the
Wiki on Uwe. Apparently he gets money because investment in a German-produced film is protected by a tax shelter. But what a revolting way to get a tax write-off.
The law allows investors in German-owned films to write off 100% of their investment as a tax deduction; it also allows them to invest borrowed money and write off any fees associated with the loan. The investor is then only required to pay taxes on the profits made by the movie; if the movie loses money, the investor gets a tax writeoff.
In other words, if the film loses money, everybody's a winner from a tax perspective. So Uwe's whole career is like one long, unfunny scene from
The Producers. So long as
Springtime for Hitler bombs, the producers win.
Look at his track record:
House of the Dead,
Alone in the Dark,
BloodRayne, and now some sort of weird Lotr knockoff,
In the Name of the King.
One or two awful, money-losing films from a guy with no track record would be the end of the road for an American filmmaker. But this teutonic freak keeps making films. According to IMDB, the dude has no fewer than six films in post-production, and another four in pre-production. Somebody explain this to me. Why is this abomination allowed to continue?
Can any of our Deutsch Orgahs do something to end his reign of terror?
Bookmarks