It's not sarcasm, I actually believe it to be largely true. Internet and sarcasm never really became best friends, now did they? And I'm not that negative about it. I can dig a fancy CGI flick with barely a story but a lot of action, or,... at times. Sometimes don't want complex plot or heavy story, sometimes I just want to be amazed or entertained for the heck of it. Though other times I do like a good story or indiemovie, sure.
But the thing is that lately people more often just want to see special things and easy entertainment. And indeed often people do negative about it. I don't regard it as superior nor inferior, it's just a different kind of flick. And making spectacular effects is a craft or better art on it's own. Of course some of the best movies combine both a good story and amazing CGI.
I happen to have seen Tron two days ago. My verdict was the same as for Avatar: I was blown away, awesome movie!
Yes. One should not judge these movies on their plot or character development no more than one should judge a Molière or Shakespeare play on their CGI.
As for the Oscars: they are not about artsy movies. They are about lame Hollywood not-at-all-edgy portrayals of the Holocaust or of a disabled person.![]()
Last edited by Louis VI the Fat; 01-28-2011 at 04:22.
Hey, say what you want, The Kings Speech is a film masterpiece. I hope it wins all the awards it was nominated for!
On the Path to the Streets of Gold: a Suebi AAR
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Hvil i fred HoreToreA man who casts no shadow has no soul.
I haven't seen it. I hear it must be good.
The King's Speech will no doubt win big at the oscars, because it complies with the Louis Doctrine: a portrayal of a person with an as-of-yet-untouched-by-Hollywood disability always wins the Oscar. In this case, speech impediment. Put your money on it now.
Just in reply to the OP, the best doesn't always win, for more reason than one. Bram Stoker's Dracula, for example, is widely regarded in film circles as being an excellene example of post-production, because basically all of the sound was done in post, dialogue included. As far as I know, pretty much all, if not all entirely, of the dialogue was redone in post. Problem was, the soundwork was so good that nobody noticed what the engineers had done and it wasn't even nominated for its respective category.
Don't sweat it; nobody gives a damn about the Oscars as far as giving legitimacy to a movie, at least not anymore.
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