ill follow what bobbin says on this having no place here, but i would like to just reply to this; that analysis is too simplistic to a fault. The general idea of the film is one versus many, but who the "one" are and who the "many" are change depending on the cultural time and place.
The perfect example is, well, the other rendition of the 300 Spartans; Rather than racial, this film, filmed during the Cold War, was political. This used the legend of the 300 as a metaphor between communism and the free market/democracy.
Not to sound facetious or condescending, but rarely is a work of media simple as you say.
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