MPAA Lobbying for Home Theater Regulations

[lars573]

In other words having gnawed the consumers hand to a bloody mess they now turn on the other hand that feeds them, the artists.

[Spino]

Amusing/horrifying update: The RIAA is suing to have artists royalties lowered. Because, you know, there's new technology and stuff. So they should be allowed to pay even less money to the people who make the music.

Funny, those "new technology" thoughts never come up when they're busy suing their own dang customers. Unbelievable.

Spoiler Alert, click show to read: 

RIAA Petitions Judges to Lower Artist Royalties

Aggressively litigious group has claimed to protect musicians in the past. Now believes musicians deserve less for "innovative" music distribution.

December 7, 2006 - The RIAA rose to public prominence around the year 2000 when the growth of internet file sharing and music piracy was blamed for rapidly declining album sales at the time. The RIAA's subsequent highly publicized and aggressive litigious action against those the group identified as distributors of copyrighted music, which has famously included grandmothers, single mothers in economic hardship, and children, won the organization little sympathy from the general public. While protecting copyrights is a fully legitimate concern, many believe the piracy that blossomed in first blush of the Napster and KaZaa was primarily due to the fact that there were no viable legal means to acquire music in mp3 format via the internet. That changed when Apple launched the iTunes Music Store, the subsequent massive success of which would seem to illustrate consumers' willingness to pay for music files on the internet if they are conveniently available.

In publicly defending its strong arm tactics and stated desire to scare consumers into absolute compliance, the RIAA has long cited the negative repercussions of piracy and lost revenue upon the recording artists that pour their talent into making the music that people like to hear. It's a sympathetic defense, yet in the past week the RIAA has made it quite clear whose profits the group is truly out to defend, and it's certainly not the artists who actually make the music.

On December 1 The Hollywood Reporter revealed that the RIAA is currently petitioning the panel of federal government Copyright Royalty Judges to lower the rates paid to publishers and songwriters for use of lyrics and melodies in applications like cell phone ring tones and other digital recordings. The last time the American government set the rate was in 1981, but since that time, the RIAA argues in its petition, a lot has changed.

"While record companies and music publishers were able to agree on royalty rates during that 25-year period, the assumptions on which those decisions were based have changed beyond recognition," the RIAA brief reads.

There's no doubt about that, but it's obnoxious to see the RIAA finally acknowledge that fact only when it serves to aid their cause rather than that of consumers who rejected CD-based distribution years before the music industry got onboard the digital distribution train. According to The Hollywood Reporter, the RIAA maintains that in the modern period when piracy began devastating the record industry (Highly debatable. Sales went down, but a direct relationship to piracy is not proven. -ed.) profits to publishers from sales of ringtones and other "innovative services" grew dramatically. Record industry executives believe this to be cause to advocate reducing the royalties paid to the artists who wrote the original music.

As quoted by The Hollywood Reporter,"Mechanical royalties currently are out of whack with historical and international rates," RIAA executive VP and General Counsel Steven Marks said. "We hope the judges will restore the proper balance by reducing the rate and moving to a more flexible percentage rate structure so that record companies can continue to create the sound recordings that drive revenues for music publishers."

The language of this statement reveals a great deal about who the RIAA is looking out for, and it's not artists. Couched in terms of apparent necessity, the RIAA's is insisting that the real musicians be paid less so that the record companies can continue to "drive revenues." If piracy really is devastating the recording industry and cell phone ringtones are one of the remaining highly profitable distributed mediums, should the RIAA really be trying to ensure that musicians be paid less for them while they're already hurting from lost revenue on album sales? At best the RIAA is kicking artists when they're down via this action, and at worst has fully revealed that despite repeated claims that artists need to be protected from piracy, the organization is very much the tool of the major labels and publishers who have famously never really cared about the artists in the first place.

Tactics like this raise serious concerns for the future of interoperable DRMs and any trend towards more rapid acceptance of new technology and the demands it imposes upon the music distribution industry. If the RIAA is nothing but a litigious arm of the stodgy business men in the music industry who can't see past a perceived necessity of protecting established revenue streams rather than pursuing innovation and listening consumers' demands, it seems doubtful that the litany of complications currently facing consumers who demand flexibility in managing their legally acquired digital content will be resolved anytime soon.

Why do you hate freedom money grubbing corporate executives?

[Lemur]

Why do you hate freedom money grubbing corporate executives?

You know, the sad thing is that if they were greedy and doing something interesting, I wouldn't have a problem with them. It's more the fact that they're trying to freeze technology and art in time, while simultaneously screw their audience and artists that really gets to me.

[Blodrast]

Of course, it only makes sense: this is THE major argument they waved around as a reason for all the suing they've been doing: "Pirates are taking money off artists !! Poor artists are being ripped off by pirates!".
So now, it's only natural that THEY do the same thing to the artists...

Apparently, there really are no limits to their hypocrisy and lack of ethics.

[Sasaki Kojiro]

[Lemur]

[JimBob]

The RIAA says no to tab websites. Fine, your song is your song. But how do you copyright a scale?

[King Henry V]

Hmmm, maybe people should also pay money every time they watch a DVD they bought?

[doc_bean]

Hmmm, maybe people should also pay money every time they watch a DVD they bought?

Whadayouthinkpayperviewisallabout ?

[Ronin]

Hmmm, maybe people should also pay money every time they watch a DVD they bought?

please.....don´t give them any ideas!

[drone]

Hmmm, maybe people should also pay money every time they watch a DVD they bought?

I think Disney already tried this. They wanted DVD players hooked up to the phone lines to download encryption keys and charge per viewing. Knowing how kids like to watch cartoon movies over and over (and over, and over...), they were definitely thinking about the potential dollar signs. Good thing they got shot down, but it doesn't mean they won't try again.

[Lemur]

If I recall correctly, that's more or less how Divx was conceived originally, before it became the compressed video codec of choice. There was some sort of business where you'd be able to watch a disc a certain number of times before it locked up. I wonder why that never took off ...

[Xiahou]

This is a snippet from an interview with a former MPAA head:

What would you say to a mom who wants to make a backup of her kids’ DVD movies?

When you go to your department store and you buy 10 Cognac glasses and two weeks later you break two of them, the store doesn’t give you two backup copies. Where did this backup copy thing come from? A digital thing lasts forever.

Here's a comment from a reader at the bottom of the page:

I suppose, however, that if he were president of the KWAA (Kitchen Ware Association of America) that he'd be proposing schemes like charging me each time I pour milk into my glasses.

You can read the whole interview here.

[Big King Sanctaphrax]

If I recall correctly, that's more or less how Divx was conceived originally, before it became the compressed video codec of choice. There was some sort of business where you'd be able to watch a disc a certain number of times before it locked up. I wonder why that never took off ...

Isn't this where PA's 'The Div' comes from?

[Lemur]

Isn't this where PA's 'The Div' comes from?

Yuppers. One of the PA guys worked at Circuit City or an equivalent box store, and he was very pumped for the introduction of Divx, which of course turned out to be a technological dead end. So The Div is portrayed as a sleazy, lecherous appliance who hangs out with other deadbeat formats.

Appropriate.