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No offence taken indeed!
It's as close a representation of the traditional style of singing as my talent allows. It's about the style. A "smooth" voice would ruin it for that purpose.
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No offence taken indeed!
It's as close a representation of the traditional style of singing as my talent allows. It's about the style. A "smooth" voice would ruin it for that purpose.
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Ja mata Tosa Inu-sama, Hore Tore, Adrian II, Sigurd, Fragony
Mouzafphaerre is known elsewhere as Urwendil/Urwendur/Kibilturg...
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Persian classical dastgah Shur performed by Lloyd Miller on oud with Azar Hashemi on santur on National Iranian TV in the 1970s.
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Ja mata Tosa Inu-sama, Hore Tore, Adrian II, Sigurd, Fragony
Mouzafphaerre is known elsewhere as Urwendil/Urwendur/Kibilturg...
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Josef Christof & Steffen Schleiermacher playing Charles Ives' Three Page Sonata
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Ja mata Tosa Inu-sama, Hore Tore, Adrian II, Sigurd, Fragony
Mouzafphaerre is known elsewhere as Urwendil/Urwendur/Kibilturg...
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Yeah, I know that it is traditional, I just don't understand really why it is done like that traditionally. It may just be that I am not used to it, but to me it makes the voice sound weak, like it is faltering, even when it is not.
It is the same thing with a lot of Romanian folk music I have heard (this may be due to the Ottoman influence, but I am not 100% sure), like this one:
She is a pretty girl, nice voice, but what she does with it just seems to ruin it IMO. I mean, it must be very hard to do (possibly harder than singing without doing it, of that I am not sure as I know almost nothing about singing :P), so why go through all the effort to deliberately do that with your voice? Do you have any idea why they sung songs in that style?
Hammer, anvil, forge and fire, chase away The Hoofed Liar. Roof and doorway, block and beam, chase The Trickster from our dreams.Vigilance is our shield, that protects us from our squalid past. Knowledge is our weapon, with which we carve a path to an enlightened future.
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